May 062016
 

chibi-kkyIt’s a damned fucking disgrace what’s been happening to Kukuruyo.

I bring this up because a commenter recently noted that I talk oft about Rabid Puppy crap, but not much about when my side shits the bed. They have a point.

Kukuruyo has been personally and financially attacked simply for having the wrong political opinions. They’ve been falsely accused of pedophilia and creating child porn, which is a SERIOUS FUCKING CHARGE and which anyone who made should immediately rescind (and apologize!) or forever be known as a slanderous hate-monger and outrage-peddler. Even a false charge of something that serious can destroy lives. Do you not remember the families that were torn apart by false child-rape charges in the 80s Satanic Panic??

Already some advertisers have pulled their sponsorship based on false allegations. Marvel is being encouraged to sue due to fanart (seriously guys, fuck anyone who siccs a major corp on a fanartist or fanwriter, you are beyond scum). And Kukuruyo is being personally harassed as well.

The people on our side doing this – have you no shame? No scruples? Are you trying to make Vox’s point for him? Do you realize what happens when you bring yourself down to his level? Don’t freakin’ do it!!!

Last year I voted No Award in several categories, out of protest of the Puppy’s tactics. This year I will very likely vote Kukuruyo at the top of my ballot for FanArtist, as a protest against what has been done to them. And their art ain’t half bad!

May 052016
 

<3 Chuck Tingle. Just a few hours ago he tweeted this:

Tingled

IMPORTANT: cant go to hugos award so to thwart devil plans, true buckaroo ZOE QUINN (name of @unburtwitch) has agreed to accept award for me

I got a question on Facebook as to why this is relevant.

Zoe Quinn was one of the original targets of GamerGate hate. GamerGate is basically the video-game-community equivalent of the Rabid Puppies. (Although for them the rallying cry isn’t “Bring back good fiction” it’s “Ethics in video-gaming journalism!”) GamerGaters were a Rabid Puppies ally last year.

So for a Rabid Puppies slated author to bring in an arch-nemesis of GamerGate is sorta like if Lou Antonelli had smiled when he was nominated and given up his seat to Rachel Swirsky.

As for WHY the Rabids nominated Space Raptor Butt Invasion…

They still have a hate-boner for “If You Were A Dinosaur, My Love.” They slated “Space Raptor Butt Invasion” to show their contempt, and say “Ha ha, screw you WorldCon, here’s what we think of Swirksy’s story. Have some gay porn! With Dinosaurs, since you love dinosaurs so much!”

(for the puppies, calling someone gay is still an insult, so dropping gay porn in their inbox is an offense)

It’s blown up in their faces spectacularly. :)

May 042016
 

Molly Tanzerspace raptor butt invasion, who I consider a friend, loves Chuck Tingle and finds him hilarious, so I figured I’d give this whole Space Raptor Butt Invasion thing a look. I was surprised by what I found, so I’ve written up a full overview below. The most intriguing part, which I will expound on in the “Slammed in the Butt by my Hugo Nomination” section, is that Chuck Tingle is obviously an insider. Not just an SF author, but possibly someone who is already known for his/her work under his/her real name.

While I have philosophical objections to Kindle Unlimited, I would recommend people sign up for their one-month free trial and read these works themselves. You can cancel as soon as you’re done, it costs you nothing, and each work is very short. I read:

* Space Raptor Butt Invasion (the nominated work)

* Turned Gay By The Living Alpha Diner (included with Raptor)

* Slammed in the Butt by my Hugo Award Nomination (which Tingle released the day after his nomination as his response)

* Creamed in the Butt by my Handsome Living Corn (included with Hugo Award)

* Pounded in the Butt by Chuck Tingle’s Hugo (NOT by Chuck Tingle! Written by someone else, read for comparison)

As the titles should probably indicate, these are works of satire. As recent anonymous interviews with Chuck Tingle show, Tingle is a performance artist, and an amusing one at that.

The first thing one notices is that Chuck Tingle is a good writer. Yes, he could use some editing (although I suspect at least some of the mistakes are intentional, as part of the satire). But when it comes to the craft of putting together a story, he is the equal of solid professional writers. He humanizes his characters immediately, and manages to make you empathize within the first few lines. He focuses on the simple, critical details that quickly establish who a character is and why we should care about him (this is gay erotica, it’s always a ‘him’). But importantly – since this is satire – he does this by engaging the stereotypes that are present in bad fiction (and bad erotica), and mocking them via lampshading. Consider:

“It’s rare that you think of a down-home, Southern farmer in a suit and a tie, but I’m not your average farmer. Of course, there’s nothing wrong with working the fields in a dirty old T-shirt and a straw hat, wiping the sweat from your brow as you till the brown soil. I can honestly say that I’ve put in more than enough hours doing just that.”

Amazingly, despite the mockery, it’s done in a gentle way that endears you to the characters. And he does this in the matter of a few paragraphs or less, which is critical in such a short format, and also very hard to do.

After this, Tingle steps his character through the paces of a gay-awakening romance story. It’s done with tongue in cheek, but the story is executed well. It takes us through the stages of this story fluidly, hitting every beat, and sticking every landing. This is a demonstration of good writing craft.

This is also why I recommend reading no less than three of Tingle’s works. Because it takes at least two (and likely three+) to realize what he’s doing. He is telling the same story (fairly well-told) over and over again, and changing only the surface details. Every single story you read starts with the same opening notes, plays the same melody, and runs the same beat. It’s like how TV Police Procedurals are down to such a science that nowadays you can time when a plot element will show up almost down to the minute without knowing anything about the show. It’s like how every Pop Hit is “ABBA’s pop chords and textures, Denniz PoP’s song structure and dynamics, ’80s arena rock’s big choruses, and early ’90s American R&B grooves.”

I don’t say this to denigrate his work. He is a satirist. He is holding a mirror up to humanity and saying “Look, this is us. This is how easy we are to play. We have these buttons, we know how to push them, and we can just keep pushing them over and over and over as much as we like.” It is the physical manifestation of “There are only 7 stories” or “All stories are The Hero’s Journey” or whatever you like to call it. It demonstrates that we are not unique beautiful snowflakes, but rather we are simply stimulus-response organisms.

Interestingly, I’ve heard this same sort of thing leveled at Jim Butcher’s work. That his stories are good, and entirely well-written, but every novel is basically the same novel. It hits the same beats, plays the same notes, and only the details differ. This isn’t necessarily a bad thing – he’s found a song that people like, and so he keeps playing it for them. But it isn’t innovative.

(That being said, I believe I’ve heard that he was at the forefront of Urban Fantasy, helping to create the genre. That itself is worth a Hugo if it’s true. I don’t know, I never really followed Urban Fantasy, wasn’t my thing)

This is the reason that I believe Chuck Tingle is The Hero That The Puppies Need. I’m throwing this alllllll the way back to 2015, but back then the “Sad Puppies 3 crowd” decried all the new-fangled narratives in SF, and wanted a return to the old stories they were familiar with. Chuck Tingle’s work is the answer to this request. He simply repeats the same story, over and over, with slight surface changes. It is a good story. And he is very good at telling it. It is entirely enjoyable! I can see the non-gay-erotica-satire version of this type of writing becoming a repeat New York Times Best Seller. But as good as it is, both in quality and enjoyment, it is not something that will be remembered. It doesn’t say anything. It doesn’t redefine any genres, or alter how we interact with art. It is simply good, repetitive fun. Like TV Police Procedurals. Or masturbation.

(I don’t know if the gay erotica parts of these stories were any good, as I’m not very gay. They were certainly exciting, and I would have been very turned on by similar scenes using Male/Female pairings. I’ll leave the judgement of their quality to people with more experience with gay erotica. I will say that the erotica parts are exactly like the story parts in that they are nearly identical in every single story. It goes through the same motions and hits the same beats. It’s a fractal reflection of Tingle’s theme of Reproducibility. Although in fairness… it is porn. I’ll admit that all porn is basically identical, and yet I continue to watch it regularly despite having seen the exact same actions play out thousands of times for the past 20+ years. So I’m not sure if that can really be held against it.)

I contrast Tingle’s work with that of “Tuck Chingle”. Tuck Chingle wrote the vastly inferior work “Pounded in the Butt by Chuck Tingle’s Hugo.” It’s basically just bad message fiction. While the prose itself is fine, and even appears to have had an editor (no noticeable spelling or continuity “mistakes”, unlike Tingle), there is nothing there that is appealing. The protagonist isn’t relatable, the setting is non-existent, there is no arc or action, and never once is the story fun or enjoyable. I don’t mean to slam the author too hard, but it is a contrast that serves as a sanity check. Is Chuck Tingle actually good, or am I crazy? Upon reading Chingle I’m reassured that bad writing still exists, and yes, Chuck Tingle is in fact actually good at his craft.

So – Chuck Tingle’s work is in fact quite enjoyable, and a splendid demonstration of what the Puppies actually want! I’m not sure if they intended to nominate this work as an ideal representative of their desires, but it works, and it’s admirable. I would not greatly begrudge them regular appearances on the ballot if they just want some nominal recognition of good old stories that don’t do anything, but are fun to read. They don’t even have to be gay erotica satire!

Of course all this brings us to the punchline – Tingle’s seminal work: “Slammed in the Butt by my Hugo Award Nomination

Guys, Tingle is one of us. He’s having a shit-ton of fun, but he’s obviously hip to the fandom. First, his craft is great. Second, his humor is hilarious. And third – he’s capable of artsy introspective pieces, even if he continues to write in his satirical tongue-in-cheek style. This is a 4th-wall-breaking joking-not-joking introspective piece of the same flavor as Adaptation. The story stars an author stand-in (“Tuck Bingle”) who is engaged in conversation by the author of the story – the actual Chuck Tingle – as he is writing it. The author speaks both to his author stand-in, and directly to the reader. It does this while continuing to be hilarious, of course. It does acknowledge that many people are upset by Space Raptor Butt Invasion (and names George RR Martin specifically), and it serves as a sort of apology. It is trying to say “Yes, I realize this isn’t Hugo material, but this whole year is absurd, and what is one more absurdity among the rest? Also, please consider this work as a serious piece of satire, because if there was a Hugo for Best Satirical Work, maybe the Tingleverse would count, no?” And yeah, I think it might.

Among the clues that Tingle knows what’s up is this reply, when Bingle asks the author what he can do to help Tingle win the Hugo. He says:

“You’re already doing it. Parallel universes, fouth-wall breaking storylines and a little meta humor sprinkled in there for good measure. The voters love this stuff!”

This is a naked reference to 2013 Hugo Winner “Redshirts” by John Scalzi, which is exactly what was just described. And yes, I loved Redshirts. And that made me love “Slammed in the Butt by my Hugo Award Nomination” as a piece of satire as well. Tingle has spoken to me in the way I most appreciate – via Speculative Fiction Literature.

Of course, as Chuck Tingle himself says “At the end of the day, this is still gay erotica, you’re gonna have to get pounded.”

:)

Anyway, I now have to actually seriously consider whether I’m going to vote for a Hugo for Tingle. Cuz he’s kinda won my heart, and I just might.

 

(oh, and if you’ve read this far – in the comments to a recent post, a reader brought my attention to this fascinating piece on Vox Day and the Rabid Puppies, which is altering my opinion on the whole situation. It’s called “Killing Vox Day”, but it means it in the metaphorical sense, not actual violence. “The goal of [4th Generation Warfare] is not to take over a State, it is to discredit the State and tear it down.” Great read, highly recommended!

Of note – in far-more-recent follow-up piece the author claims that if Raptor wins the Hugo, the Rabid Puppies will have Won Completely and we should all pack up and quit. I don’t think that’s true at all. Raptor may have been Vox’s biggest slip. He really should read the authors he slates before slating them.)

Apr 272016
 

300x300xhugo-awards.jpg.pagespeed.ic.AsqaLzncTzThere’s a reason the Speculative Lit fan community gets together every year to vote for their favorite works. It’s because “which work did the most people think was the most impactful” is an open question. There’s a lot of chat. Reviews and recommendation lists highlight the top few dozen or so that the community really thinks highly of. But it’s nice to have an award, and giving an award to one single work means taking a vote to determine which one work out of those dozens clears the top.

Thus, the Hugos.

The system wasn’t designed to be robust against hostile attack. That’s now being fixed. In the meantime, we have to ask ourselves: What Question Is The Hugo System Answering (this year)?

The system can be used to answer one of many question:
“Who gets the most votes”
“Who do the Rabid Puppies vote for”
“Who do the non-puppies vote for”

Due to their well-constructed assault on the nomination process, the Rabid Puppies have turned the traditional question of “Who Gets The Most Votes” into “Who Do The Rabid Puppies Vote For.” Which in turn is simply “Who Is On The Rabid Puppy Slate.” This is a valid question, but the entire voting process seems like overkill for answering it, since you can just look that up online. A more interesting question is “Who Do The Non-Puppies Vote For”, which the voting system could still answer.

Other questions that the system can answer:

Can the nomination process be hacked by a small minority of strongly disciplined block-voters? This has now been answered, twice. The answer is yes. Overwhelmingly so. Under the current rules, the only effective counter-strategy is an opposing slate. Fortunately, the rules are being fixed to neuter slates in the future.

Can the overall process be subverted by that minority? This has also been answered. No – the majority fan community will reject the exploitative attack, and vote No Award ahead of the slated works. We can answer this question AGAIN this year if we want to. But I don’t see why we’d bother. Last year it was exciting, and the conclusion was unknown. This year the conclusion is foregone, and I don’t think it’s worth the cost in lost real nominations.

If the Rabid Puppies really want to determine which of their slated nominees they like the best, they won’t get that answer at WorldCon. And since every other interesting question has already been answered EXCEPT for “Who Do The Non-Puppies Vote For”, I believe the best course of action is to throw out all Rabid Puppy ballots and get back to the matter of answered that remaining question.

The one bright side to all this – Chuck Tingle has put out another piece in response to his being nominated for “Space Raptor Butt Invasion.” :D This guy is awesome, I want to meet him!

slammed in butt by hugo

Apr 262016
 

cincinnatusI would like to see the community come together to defend themselves. But I am a very small minority, and that won’t happen. I will, of course, go along with the majority consensus, because I like my community and I’m not an asshole. I will go to WorldCon and enjoy myself. This year can be grand in the style of David Gerrold again.

But that doesn’t change that I wish the community WOULD unite to defend itself, and that’s why I’m putting forth the proposition that we should do so. I think the biggest thing we have to fear right now is Fear Itself. Literally.

Friends ask how I’m different from the strong-man supporters, who currently are rallying behind Trump. There’s a reason people like Trump gain supporters. It’s the same reason Rome gave emergency powers of absolute power to one man during times of crisis, until the crisis was dealt with. Authoritarianism is actually good at dealing with a certain subset of problems.

Thing is, for limited engagements, and if you can empower a trustworthy dictator, Dictatorial Powers are often a great idea. It’s why we have various “Czar of X” positions in the govt as well. The fear of the temporary emergency powers becoming permanent (or being used in a terrible way) are completely legit, and as a country we’ve done a passable job of avoiding them for a few centuries. But I think the fear has led to sometimes us going too far in the opposite direction, and led us to avoid simple, effective solutions to small, short-term problems. Like neutering the Rabid Pups for one year. Our fear is a greater threat to our well-being than the proposed tyrannical act

Of course, the rank and file are NOT united in thinking this is a good idea. From what I can tell, it’s just me. So obviously we are not in a positions where this is something we can accomplish.

And when a society is so paralyzed of fear of effective action, that they can’t even defend themselves against a few hundred coordinated people, it makes me worry that they won’t last very long. In this sort of voluntary community, if a few people can ruin the place for everyone, people will drift away. It’s like those people so afraid of censorship that no one can ever say anything, because those crazies who hate them, and scream at the top of their lungs to drown out all effective communication, are never removed.

Yes, yes, I see your Hitler, and I raise you a Cincinnatus.

Anyway, it’s not the awards themselves that upsets me, it’s the community’s willingness to lie down and take it. I wish we could just see, unofficially, what the finalist list would have been without Rabid interference. :/

Apr 262016
 

alfieWell. The Puppies managed to choke out the Hugos for a second year. (aside from Best Novel, which has few enough items published each year that the popular vote isn’t diluted too much).

2016 Hugo Finalists

Rabid Puppies List

Sad Puppies List

I would like to renew my call to void all Rabid Puppy ballots, but I guess it’s too late for that. :/ I can’t help wondering if Vox & crew have a point. For real though – it doesn’t necessarily damage the legitimacy of an institution if it is vandalized by crazies once. It certainly starts to damage that legitimacy if it keeps allowing the vandalism to occur. Does a community that refuses to defend itself deserve to continue?

At the VERY LEAST they could concurrently release an Alfie list, which isn’t the official Hugo finalists, but merely shows what the Hugo finalists list would have looked like with the Rabid Puppy ballots removed? (A Rabid Puppy ballot being defined as any ballot in which at least two categories perfectly match the Rabid Puppies slate). That way those so inclined could perhaps hold separate voting of their own.

Apr 222016
 

Sad puppies 4I was recently disappointed by the Sad Puppies. This year I am (for the second year) a coordinator for Denver Comic Con’s literary programming. A certain author who lives in the Colorado area is a strong Puppy-supporter, and last year I asked her to participate in a panel discussing the Puppies phenomenon. She declined, which made me a little sad because I refuse to hold such a panel unless supporters of both sides are there to present their view of the matter.

But you know, last year was very contentious, with the Rabid Puppies getting mixed in and crapping on everything. And Sad Puppy 3 leadership was certainly less than friendly. And this author was only a supporter, not actually a spokesperson or anything. We had the two Puppy-nominated Best Novel authors at last year’s con, and both of them refused to be on the panel as well, so I could totally understand and respect her desire to not get involved in all that mess.

However this year that author is one of the leaders of Sad Puppies 4! And earlier in the year one of the other leaders of SP4 stated she would like to participate in a panel discussing the Puppies at WorldCon! And Sad Puppies 4 has also been handled far better than Sad Puppies 3 – no slate, no Rabid Puppy overlap, far better relations, etc. I’ve seen a number of people who were very turned off by SP3 come around to SP4 and accept them as another voice in the process. I myself am cautiously optimistic. This, together with the decent relationship we forged with the author last year, caused me to have high hopes for a civilized, possibly even fun Puppy-panel this year.

Aaaaaaaaand the SP4 co-leader turned me down. Which means no panel this year, again, because I still won’t have a panel without representation from both sides. So much frustration! Why even be a leader of a movement if you are unwilling to speak about it in public? I am disappointed. :( No wonder the puppies are sad.

Apr 042016
 
Posted by Rabid Puppy leader "Vox Day" in 2015. At least he's direct.

Posted by Rabid Puppy leader “Vox Day” in 2015. At least he’s direct.

There’s absolutely no reason Vox Day’s Rabid Puppy vandals should have any effect on the Hugo awards this year.

The Rabid Puppies have done us a huge favor by publically posting their entire slate, and vowing to vote in lockstep. This makes it extremely easy to identify their ballots – simply compare them to the Rabid slate. I propose that any ballot where at least two categories perfectly match the corresponding Rabid Puppy slate be removed from the Hugo nominating pool (alternatively, loosen it to any two categories that match 4 out of 5 Rabid nominees, or tighten it to any three categories matching all five). This will give us a mostly rabies-free Hugo ballot.

There is no reason to honor any Rabid vote. They have publically and repeatedly proclaimed their hatred of WorldCon and the Hugo awards. They have loudly stated that their intention is NOT to participate in good faith, but rather that they intend to vandalize and destroy the Hugo awards to the best of their ability. They paid for a supporting membership last year? So what? When a hooligan attends a concert in order to rush the stage, destroy the band’s instruments, and ruin the concert, he is kicked out of the venue. His ticket is not refunded, and no one apologizes to him. He deserves only scorn.

It is a travesty that anyone is even considering honoring these votes. The only way the Rabid Puppies can vandalize the 2016 Hugo awards is if they are allowed to do so by their victims. It is said “Good communities die primarily by refusing to defend themselves.” The Rabid Puppies seek only to vandalize. They are driven by spite. They’re proud of these facts. In what world is it OK for us to pretend they are participants in the system? This only legitimizes them. It gives them power they could never muster on their own… all because we’re too polite to tell them ‘no’? What madness is this?

We were caught unaware in 2015. In 2016, we know exactly what is happening and how to counter it. There is no excuse not to do so.

 

Post-Script I

As a concession to the truly over-concerned, when the Hugo nominations are announced there can be two lists announced – the true Hugo nominees, which have had the Rabid ballots removed; and the hijacked Hugo nominees, which shows the results with the Rabid ballots included. This acknowledges the problem, and demonstrates its effects, without legitimizing them and giving them power.

Post-Script II

I do not include Sad Puppies 4, because I’m willing to believe they may be acting in good faith this year. They seem to want to change the Hugos by getting more people involved and recommending works those people might like, which is a legitimate form of change for a popular-vote award. They still have some serious messaging problems, due to their anger issues. But at least they want to participate, rather than destroy.

Mar 152016
 

300x300xhugo-awards.jpg.pagespeed.ic.AsqaLzncTzThere’s just over two weeks until the deadline to get in your Hugo nominations! By long tradition, here are the things I’m nominating for Hugos this year. Kinda like a “short story recommendations” thing. Due to the Puppies fiasco of last year, it has become fashionable to give a recommendations list of 10-or-so works, rather than just 5, to avoid allegations of pushing a slate. This is an admirable thing for people who have opinion-setting influence. My readership is miniscule compared to those sites who have to worry about this sort of thing, and my readers aren’t the type to vote a slate anyway. I would be shocked if I had any measurable impact on the Hugo process, so I’ll just stick to what I’ve been doing.

Caveat that I am not widely read in the short-fic department. The people who really do have influence in this sort of thing read 500+ works a year(!!). My reading is in the mid-double-digits. Most of what I’ve read is either recommended to me by friends, or authors I follow, or collected from one of the recommended-reading lists of those other people, or just stumbled upon by pure dumb luck. As such, I’m sure there will be amazing things I just haven’t found. But this is what I got.

 

Short Story:

Three Bodies At Mitanni, by Seth Dickinson (text not available online). Easily my favorite pick. So good I podcasted it (w permission of course). Rationalist Fiction, contains a Molochian society, and by one of my favorite short-form authors in the world. I’m somewhat worried it won’t get recognition due inferential distance.

…And I Show You How Deep The Rabbit Hole Goes, by Scott Alexander. Again, Rationalist Fiction, but this time of the comedic variety. Displays Alexander’s trademark wit and humor with a fantastic twist. Despite being self-published, this story has gotten lots of attention from the traditional SF-sphere, so I have hopes it can break in!

To Fall, and Pause, and Fall, by Lisa Nohealani Morton. Art in the near future when humanity is juuuuuuust at the edge of becoming Transhumanity. It’s not Rationalist, but I feel it’s adjacent. The tension is amazing, my pulse kept rising throughout. I’m going to look up other works by this author and possible start following her.

Tea Time, by Rachel Swirsky. Rachel again puts out a masterpiece. This is surrealist story, appropriate for the Alice In Wonderland setting. It’s about relationships, and change, and moving on, and hurt. It is poetry.

Tomorrow, When We See the Sun, by A. Merc Rustad. A science-fantasy story, WarHammer 40K-esque, and again a bit surrealist. I like this sort of thing when it’s done well, and to my taste this was well. I felt like I was high while reading it, and any story that can have that sort of mind-altering effect on me just via words is worth my vote.

 

Novelette:

I didn’t read many, partly because they’re a bit longer than stories, and partly because it’s hard to find very many online. Most novelettes are published in the print magazines, which makes them hard to come across, hard to recommend, and hard to link to. Of the handful I read, only two stuck out enough for me to nominate:

And Never Mind the Watching Ones, by Keffy R. M. Kehrli.  This is a song of teenage isolation and modern day existential angst. This is the story of my teen years. This is the sort of thing I wish I could write. It was kinda hard to get into at first, but the mystery kept pulling me from section to section like a snared fish, and by the time I got to the end I realized it wasn’t the point anymore, and I was happy to be in the story. It was fulfilling.

The Long Goodnight of Violet Wild, by Catherynne M. Valente. It’s almost impossible to be an SF writer and not have a writer-crush on Catherynne Valente. Her work is always gorgeous, deeply emotional, and often transcends the medium. She doesn’t write stories. She bleeds out poetry that tells a life, with a plot and characters, that slyly hides behind a mask of prose. Often surrealistic (I’m seeing a trend in my taste this year), and this story is no exception.

Of course I’ll be nominating my own novelette as well, Red Legacy (by Eneasz Brodski, first published in Asimov’s Science Fiction Magazine). Because that’s the kind of person I am. It did get a few good reviews, including Tomaino of SFrevu.com saying “A very good debut. I will think about Eneasz Brodski for a future Campbell Award nomination.” and Watson of BestSF.net saying “To be honest if I’d read this, and Michael Bishop’s “Rattlesnakes and Men” without knowing which was written by which writer, I’d have guessed this was the Bishop story, and the other was the novice writer’s story”

Novella – didn’t read any this year.

Novel:

Crystal Society, by Max Harms. Rationalist Fiction. The book applies Society of Mind theory to AI development. The story uses social manipulation/interaction as the primary plot drivers and conflict-resolution mechanisms! I love the protagonist, Face, who is everything I could ever hope to aspire to, and more. The main character is part of a hive-mind that lives in an android Body, and must somehow convince the humans around it that it is a person or risk being mutilated or killed. The ending is a little disappointing, but the strength of everything up to that point makes it more than worth it!

Harry Potter and the Methods of Rationality, by Eliezer Yudkowsky.  (also available in audio) Also Rationalist Fiction. If you haven’t heard of it yet (unlikely if you read my blog) it’s an alternate universe story, where Petunia married a scientist. Harry enters the wizarding world armed with Enlightenment ideals and the experimental spirit. It’s delightful and fantastic and heart-wrenching. It’s also not to everyone’s taste, but many people who do like it, REALLY like it. Like, a lot. I’m among them. Here’s a FAQ to explain that yes, it’s eligible for the Best Novel category.

I didn’t read enough traditionally-published books in 2015 to find more than one that I really liked. I expect I’ll enjoy Ancillary Mercy, Fifth Season, and Radiance, when I get to them. I will likely nominate The Traitor Baru Cormorant, even though I didn’t enjoy it as much as the story,  because I feel it deserves the recognition that the short story should have received, but didn’t since it wasn’t well known enough. The novel got much more publicity, and it’s possible Dickinson will finally get the kudos he deserves.

 

Best Fan Writer – Normally I don’t nominate or vote in this category. Some people have said they aren’t convinced Harry Potter and the Methods of Rationality fits in Best Novel (for a variety of reasons), and are nominating Eliezer Yudkowsky as Best Fan Writer instead. I am definitely nominated HPMoR for Best Novel. But I’ll also nominated Yudkowsky for Best Fan Writer as well, to cover my bases. It’d be tragic if he got neither because the vote was split. L And fortunately there’s no reason you can’t nominate in both.

 

FanCast:

Welcome to Night Vale: Surrealist audio fiction twice a month. Lovecraft-meets-A-Prairie-Home-Companion. X-files-meets-community-radio. Seriously, this is a HUGE phenomenon, how has it NOT gotten Hugo recognition yet? It’s downright embarrassing at this point.

Writing Excuses. Because I listen to it constantly, and always find it inspiring.

The Skiffy and Fanty Show: I’ll be honest – because a friend of mine works there (not for pay, of course. The whole thing is a work of passion), and I have empty slots in my Best FanCast nominations. It’s also a pretty good show, but I don’t have the time to listen to it regularly. If I have a spare slot to support a friend in a good production, I’m going to use it.

Harry Potter and the Methods of Rationality, The Podcast – This is the audiobook of the HPMoR novel, which was released as a podcast across nearly 5 years. I hope everyone enjoyed it!

 

Best Dramatic Presentation, Short-Form:

Jessica Jones, “AKA WWJD”  (cuz Jessica Jones is amazing)

Rick and Morty, “Total Rickall” (cuz “Close Rick-counters of the Rick Kind” was in 2014 :( )

Welcome to Night Vale, “Review” (Like I said above – let’s get on this already! This is the one with the attack on Dana in the Opera House, were the owner of Lot 37 is revealed. So good!)

Steven Universe, “We Need To Talk” (the one were Greg meets Rose, and Pearl is spurned. The narrative trick of giving me a Heart-strings-pluck feeling + Heart-broken feeling from the exact same event at the same time. Wonderfully done.)

Game of Thrones, “Mother’s Mercy” (In large part to round out the list so I give maximum anti-Dr-Who noms)

 

Best Semiprozine:

Lightspeed

Beneath Ceaseless Skies

Strange Horizons

Uncanny Magazine

Fireside Fiction

These are the semipro’s that I get most of my non-Clarkesworld online fiction from, so there we go. (Honestly I hadn’t heard of Fireside until very recently, but since it was the venue that published To Fall, and Pause, and Fall, I figure it deserves the shout-out)

 

I have no strong opinions in the remaining categories

Jan 292016
 

trump2016sad puppies 3 logo

One of the more fascinating aspects of Donald Trump’s run for the presidency is that the Republican establishment doesn’t like him or want him. Dan Carlin comments on this in his latest episode of Common Sense . To summarize his relevant points:

The Republican Party is not officially a government body. It is essentially a semi-private club. Its members can choose to exclude anyone they want.

Currently the rules of the club allows (to simplify a little) that anyone who calls themselves a Republican can cast a nominating vote for anyone else who calls themselves a Republican, and the person who gets the most votes will have the machinery of the Republican Party backing them in the general election.

This works as long as everyone operates in good faith. But the system doesn’t have much in the way of formal defenses against exploitation, the understandings that prevent gaming the system are informal rules.

Eventually the informal rules will weaken enough that they’ll be ignorable (or even considered gauche). Then someone will attempt to game the system. Enter Trump.

The thing about exploiting a system is that systems don’t exist ex nihlo – they are composed of people. There are a lot of people who don’t simply call themselves “Republicans”, they actually work for the Republican Party. They’ve put in years of labor, sometimes decades. Often for very little financial reward. Their identities are wrapped up in the party. Obviously they aren’t doing this just for themselves – they’re doing this for the Ideal of the Grand Old Party. For all the people who think and feel like them, that depend on them to keep the government leaning right. However, they are not without opinions, and they are heavily invested in the Party itself.

I think it’s fair to say that these people have put in the work to have more of a say in what the party does. If a hostile outside group comes in and attempts to subvert the infrastructure that these people have spent decades (centuries?) building, they are fully within their rights to defend themselves.

If a crazy man shouting hatred for ideological/ethnic opponents manages to flood the nominations with bigots that he has roused to angry action via lies and bluster, I can understand the establishment participants deciding to exclude him in spite of how many nominations he receives. Because in the end, the establishment is a private party working for the interests of people they want in their party. And just because there isn’t any formal way to evict party crashers right now doesn’t mean they can’t do so.

If this sounds familiar to people immersed in the SF world, it’s because we already saw all this happen last year, during the Sad Puppies Fiasco. Regardless of how you feel about either side, the parallels are striking.

WorldCon is a semi-private club. Their rules allowed anyone with a few extra Hamiltons to nominate whoever they wanted, and the machinery of the WorldCon establishment would then throw an award party for them. The rules against exploitation where purely informal, it was expected that anyone who cared to attend a WorldCon would care about their reputation among Con-goers and not ignore the general understanding.

A hostile group with active disdain for an ideological/ethnic group (that they believe runs WorldCon) gamed the system, at the behest of a few loud men. They were motivated by anger, and the most odious of them is a proud bigot with no regard for honesty.

The establishment, who have worked for years or decades creating the infrastructure this outside group is hijacking, is more than a bit peeved at the situation.

Hm.

I hear that the Democratic Party has “super-delegates” to help combat this sort of problem. I don’t know if the Republican Party has such preventative weapons in place. I’m interested to see how they deal with this invasion of their party. I’m particularly interested to see if they manage to resolve it in a better way than WorldCon did/is trying to. I don’t think WorldCon did a bad job, all things considered. But I assume choosing No Candidate would be much more harmful for the Republican Party than choosing No Award was for WorldCon.