Aug 242018
 

At my last book club meeting, a member expressed surprise that nearly every Hugo short work nominee this year came from an online publication, rather than the traditional Big Three print magazines (Asimov’s, Analog, and F&SF). I was surprised that they were surprised. I find it unlikely that a traditionally published magazine will ever publish a Hugo-winning story again. Not because they don’t publish quality work (they do! and are rightly respected for it!), but because they will not get nominated to the final ballot.

Getting nominated is about exposure. A story will not get nominated if it has not been read. Likewise, the more people read a story, the greater the likelihood it will be nominated, simply because more voters are aware that it exists.

If I read a fantastic story in last month’s issue of Asimov’s magazine, and I tell my friends, “OMG! Story X is amazing!!! You have got to read this!!”… what can they do with that information? Unless they also have a subscription to Asimov’s – nothing at all. No one is going to drive down to wherever the nearest bookstore may be to search through the bottom racks among rows and rows of magazines to try to find a copy of Asimov’s for this one story. Nevermind the cost of a single issue, the investment in time and effort is greater than it would take the read the story itself! Not to mention, some bookstores don’t carry all three magazines (or any…), and those that do often don’t carry more than one or two copies of any given issue! And what does my friend do if I got to Asimov’s a couple month’s late, and read the story after that issue has been removed from the stands? Go track down a back-copy somewhere? OMG.

For this same reason, if someone recommends an amazing story from F&SF to me, unless they physically hand me their own copy of the magazine, I will never get a chance to read it. No matter how great it is.

OTOH, say I read something that blows me away at Strange Horizons. Not only do I tell my friends at book club, I also share the link in Facebook. Now dozens (maybe over 100?) people not only see that I like they story, they can read it instantly. At work, on the train, in bed, whatever. And if they like it? They can share as well. The exposure potential is massive.

The Big Three print magazines will probably never get another Hugo, unless they change their distribution model. This year out of 18 short work nominees, only one came from the print magazines.

 

The thing that really interests me about this is that the online publications are all works of passion. That is to say, profit is only of distant interest. They are staffed almost exclusively by passionate volunteers. Nearly all revenue raised is used to buy stories and keep the website up. The few that can afford to pay the editors at the top cannot pay them a living wage – everyone still has a day job (or doesn’t have to worry about making money for some other reason). I don’t know what effect this has on the fiction they buy – it’s very freeing to simply purchase and publish what you think is really freaking good, without having to worry if it’ll “satisfy the market.” But it could also lead to the increased insularity and inaccessibility that has made Lit Fic a wasteland. I admit to being a bit of an SF snob myself, so I may be contributing to the problem…

Aug 222018
 

WORLD CON POST TIME! The annual geekening is over; here are my photos and thoughts.

I’ve started to branch out a little, and see a local attraction in the cities I visit. O_O Madness, I know! At WFC it was the Alamo, and at WorldCon76 it was the Winchester Mystery House. Very cool place!! The Winchester widow kept adding random rooms onto her mansion for the entirety of her life, believing it would appease ghosts, and helping to support the local construction industry. She wasn’t the best architect (and/or was intentionally trying to confuse ghosts) and so there’s staircases to nowhere, doors that lead to multi-story drops, and other cool oddities. The whole place is awesome, and you should go if you’re ever in town. It’s like being in a video game house!

From the top of the Winchester Mystery House

I spent a lot of my time with friends I’ve met at past cons, this is almost turning into an annual reunion thing. This is not a complaint, that’s sort of thing is really fun! And I still somehow find time to make a few new friends every year as well. :)

The highlight of the con for me was, BY FAR, Ada Palmer. I got to hear her perform epic viking duets. These literally made me cry. I don’t cry that much. She’s very, very good. I cherish this memory, and bought a bunch of CDs and DVDs as thanks, even though I know they will never have the same impact as being 20 feet away and feeling the physicality of such anger and despair.

Ada standing on the right

Afterwards I got to hear her talk about the Terra Ignota series for well over an hour in a semi-private hotel lobby. Including Q&A and audience discussion. AND she read the first two chapters of the final novel. Guys, this is gonna be fucking epic. Holy shit. We gotta wait until 2020 though. :(

I was invited back to another discussion the next day, and my biggest regret is not going to that. At this point I’d already missed a lot of programming I had meant to go to, either to catch up with friends, or to go to the Palmer events (I found out about them last-minute). And I really wanted to go, but I also felt like I should try to go to some programming for realsies one day? So I ended up sticking with the panels I’d picked out of the guide. That wouldn’t have been a mistake if there WASN’T more Ada Palmer to be had. But there was, and I deeply regret my decision now. :( Best heuristic – always go fan out over/with the person(s) you most admire in a con. It feels incredible because this is how we evolved to make good super organisms. It is doing a good thing to pay your heroes with admiration!

Seriously tho, Ada is so ridiculously smart and erudite and inspiring. I could listen to her talk about anything for hours. Maybe 5% of panelists are in her league, and the fact that she’s written a series I love and seems to be “my tribe” personality-wise is just so much extra awesome on top.

 

On the topic of programming – the rooms were all too small, and didn’t have enough chairs. Seriously, just about every single panel was over-crowded with tons of people against the walls or sitting on the floor. I’m not sure if more programming was added at the last moment and rooms had to be split to make more space? But the con was under prepared.

Every panel

Also on the topic of programming – ALWAYS GO TO FANFIC PANELS. All other panels are hit-and-miss (unless you know one of the authors on them and are going to see that author. Then go! Knowing a good panelist/author and following them around is generally a good strategy). But aside from the parenthetical, it’s hard to say if a panel will be really good and on point, or if the people up front will have only a passing knowledge of the topic, or lack enthusiasm, or are too shy, or whatever. Sometimes you get lucky, sometimes you don’t, and I suppose that’s part of the fun. EXCEPT for fanfic panels. The panelists on those are always super informed on the topic, and really enthusiastic on the topic, and gushing to talk about it. Fanfic panels are simply *the best.* I’ve never regretted going to one.

L->R: Nino Cipri, Vina Jie-Min Prasad, KM Szpara, Alex Acks, Faith Erline

If you heard about the protest on Saturday, it’s basically what you probably expected. A teeny tiny storm in a wee teacup. I think there was more police presence than protestors? I feel kinda sad for anyone who had anxiety cuz of this thing, though. And I hear it gave the con organizers all sorts of headaches. But yeah, a few idiots showed up to do some 4th-rate trolling. A few antifa came, hoping for a fight. Then it all blew away like dust in the wind, dude.

Days of Rage

Interesting, the con skewed a fair bit younger than usual! I was used to the median age of the con being decently above my own in previous years. This year I think I may have actually been near the median! Writing that now, I realize that I’ve also been aging every year, so naturally I’d approach the median anyway, but I mean – it really felt like there were a healthy contingent of Young Whippersnappers there this year, moreso than previous years. I dunno if that’s due to the most youthful demographics of the Bay Area specifically, or if it’s indicative of a larger trend of people growing up with SF-lit-love coming of age.

One thing I did notice about this year though… aside from my amazing experiences with fanfic panels and Ada Palmer, I felt much more detached and less joyful this year. Always before I’ve been super extroverted and fully engaged. This year I had some melancholy. I think… I kinda think it’s because in all previous years I thought of myself as an SF fan. And this year I thought of myself as an author… except that I’m not a successful author (yet?). No novel. Only a few short stories. I’m surrounded by famous authors rocketing into their careers, and I haven’t done much. These people know each other, but no one knows my name, and I feel like I don’t belong. I want to no longer just be a fan of The Thing,  but be an active participant and doer of The Thing. I kinda feel like I should sit out the next few WorldCons until I actually DO something to earn it. But fortunately the next two will be out of country and beyond my financial means to attend anyway, so I guess I don’t have to worry about deciding that.

Amethyst is best pony!

Like everything else this year, the awards had a strong “reactive against the Trump presidency” component. This is the theme of 2018, and none are immune. That being said, all the winners were absolutely deserved, and Jemisin’s speech was fucking amaaaaazing!!!!!!!! God DAMN! :D

All in all, good experience. :)

(JY Yang on piano in the airport)

Apr 132018
 

For the use of my book club, plus whoever else would like a linked list. These are the short stories and novelettes that are up for a Hugo, and also available free online. This year, that’s all of them.

Best Short Story

Best Novelette

Apr 192017
 

For the ease of my book club, plus anyone else who may want them, here’s where to find the Hugo Finalist Novelettes and Short Stories that are available free online:

Novelettes:

“The Art of Space Travel”, by Nina Allan
“The Tomato Thief”, by Ursula Vernon
“Touring with the Alien”, by Carolyn Ives Gilman
“You’ll Surely Drown Here If You Stay”, by Alyssa Wong

Alien Stripper Boned From Behind By The T-Rex, by Stix Hiscock – not available
The Jewel and Her Lapidary, by Fran Wilde  – not available

Short Stories:

“The City Born Great”, by N. K. Jemisin
“A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong
“Our Talons Can Crush Galaxies”, by Brooke Bolander
“Seasons of Glass and Iron”, by Amal El-Mohtar
“That Game We Played During the War”, by Carrie Vaughn

An Unimaginable Light, by John C. Wright – not available

Feb 282017
 

Hugo AwardHerein I continue my tradition of pointing at stories that I think are really good, and will be getting my Hugo Nominations this year. Remember, you only have until March 17th to nominate, so don’t tarry too long!

Sadly, I only have so much time to read, and I know there are tons of things I haven’t read yet, many of which I would very likely enjoy quite a bit. This has been proven to me every year so far, and I don’t doubt this year will be the same. So these are the things I liked most out of what I read this year, which is a limited pool.

 

Novelettes:

This year I didn’t read enough novelettes to feel like I can make any sort of recommendations. :/

 

Short Stories:

Mika Model, by Paolo Bacigalupi – I’ve loved Paolo’s work for a long time, and he delivers again with this fantastic story about Super Stimulus, and rights for Turing-Passing Beings who aren’t provably sapient. It does a fantastic job of really making both sides in the conflict emotionally and intellectually compelling, so at the end you don’t know which side you want to win. This is a thing I really love in the fiction I consume, and one of the things that I like most about RatFic. Plus, you know, sexbots, who doesn’t like those?

What You Need, by Van Aaron Hughes – A fairy-tale/fable about scrupulosity, which I don’t see written about very often. More importantly, it’s written well, and tells a fantastic little story. Very tidy, and short enough that I believe it qualifies as flash fiction. It’s one of those fast,  high-impact tales that just comes out of nowhere and lands a great blow.

Fall To Her, by Alexis A. Hunter – Another Super Stimulus story, because I apparently really like those. And I suppose this reveals what stimulus I find most interesting IRL as well? In 2015 I couldn’t stop telling everyone I knew about how great Kenneth: A User’s Manual was, so I suppose this has been a thing for a while. Anyway, gorgeous story, with good Other-Minds for aliens, and just soooo pretty to read. Also pretty darn short!

Daughter of the Drifting, by Jason Heller (not available online) – This story appeared in Swords v. Cthulhu with me, and I think it was my favorite from that collection (although I admit I haven’t finished reading it all yet, cuz I suck). You know how Lovecraftian Gods are supposed to be incomprehensible, in a universe that if one were to try to actually understand it would drive one insane? Yeah, Heller actually did that, and it’s fantastic. His universe is incomprehensible, and you shouldn’t try to make sense of it, because you will only fail. Our heroine serves as a living sheath for a sword, and is yanked back and forth through time-space whenever the Elder God who owns the sword needs to draw it and use it, which must be sorta a metaphor because what the fuck, but only partly, because you get the sense there’s actual cutting involved on some multi-dimensional quasi-physical time-rending level. Anyway, as the poor damned human stuck as a tool of a god beyond reckoning, our heroine’s understanding is neither needed nor bothered with. It is one of the first times I’ve truly felt a sense of Lovecraftian Otherness and Alien Incomprehensibility that I think Lovecraft himself was often shooting for but never really (for me) achieved. I believe this story will be my standard for Unknowable Nihilistic Universe for a long time.

Everyone Is Todd, by Marmoulman – Because I can’t go a year without a shout out to RatFic of some kind. :) A great little piece about slightly-imperfect alignment leading to a missed utopia. Probably should come with a content warning about legit existential horror. However not so bad that I couldn’t read it.

 

Novels:

I won’t go into these in depth here, because I’ve already talked about them at some length in my reviews. But I’ll be nom’ing:

The Library at Mount Char, by Scott Hawkins (my review)

Too Like The Lightning, by Ada Palmer (my review)

All The Birds In The Sky, by Charlie Jane Anders (my review)

Crystal Society, by Max Harms (my review)

And despite how much I love the Broken Earth trilogy, I’m really on the fence about nominated Obelisk Gate. Not because it isn’t great (it is!), but because I’m not sure I should be going around nominating every book in a trilogy, and honestly, it’d probably be best to stick with nom’ing the ground-breaking first book, and (if it deserves it) the holy-shit-that-was-awesome last book, and leaving any Middle Books out of the process entirely.

 


 

My Eligibility

As one does, I’ll also mention my eligibility this year.

Of All Possible Worlds is eligible for Best Short Story

I (Eneasz Brodski) am eligible for the Joseph Campbell Award for Best New Writer (in my second and final year of eligibility)

The Methods of Rationality Podcast is eligible for Best Podcast.

Aug 242016
 

IM12An addendum to yesterday’s WorldCon summary: I did not win the Sidewise Award for Alternate History (not-won plaque is pictured). This is a little sad, of course. I would have preferred to win. But it was still a fantastic experience, with much excitement and joy. I got to meet some cool people, and I got a small taste of what being up for an award is like. :)

As promised, now some more talk about constantly living a lie.

I spent all of Wens-Sat being “on”, ie: acting social and out-going. I do enjoy this, but it’s draining. Every now and then it’s kinda lonely too. This is an unavoidable aspect of meeting new people for the first time, you can’t open right up immediately. It’s why I prefer to stick with at least one person for a whole con, it expands your pool of people you can chat with without having to perform as much. But a LOT of WorldCon was putting my best presentation forward at almost all times, and good lord was that tiring! By the time I checked out of the hotel Sunday, I couldn’t really talk to anyone anymore. All Monday I felt like I was sick with a cold, it was awful. I finally got 10 hours of sleep that night, and Tuesday I finally felt like a normal person again. I think I need to do a bit more self-care next time I go to a 5-day con.

Unrelated, but just occurring to me – I didn’t mention this in the previous post about Performing, but probably the part I like least about modern performance culture is the taboo regarding attraction. You’re allowed to act like you’re attracted to people, and flirt. Flirting is hella fun! But saying you find someone attractive out loud is forbidden unless you’re actually asking them out. Which is a little frustrating. Like, I find 80% of women within a decade of my age attractive, and having to suppress that is a bit of a psyche-drain. But I absolutely understand why that rule is there, so I follow it, and stick with flirting, and maybe now and then ask someone out. It’s not my ideal world, but it’s the best compromise between differing agents, so you play the part that makes the social group work best.

On a more personal note, sometimes the playing of roles can really lead one astray. I feel bad reaching out to my SO when I’m feeling certain types of emotional distress, because I don’t want to do the whole “emotional leach” thing. Is that a thing? I don’t want anyone to think “You only call me when you’re lonely, is that all I am to you? A loneliness sponge?” and so I don’t call. So I default to Performing Masculinity, ie: nothing hurts me. Now, I’m certainly not as good at this sort of thing as, say, The Man With No Name, but I do OK. I know how I’m supposed to act, and so I step into that role and go about the rest of my day. I did eventually text to test the waters and got a negative reaction, because at that point she was annoyed that I hadn’t called yet. Which meant after that I was performing even harder the rest of the con to pretend that didn’t bother me, and boy howdy, that’s not very fun. I did overall have a great time, because the majority of the time I was too busy doing other stuff to think about that, and because WorldCon is awesome, but man, it could have been better if I’d just picked up the damn phone. When I got home we hashed all that out and felt like complete idiots (me more than her), and now I shake my head when I think how easily all that could have been avoided. But nope! I was too cool and manly to let that sort of thing bother me. /sigh Sometimes I swear I haven’t learned a damn thing…

Aug 242016
 

shortfictionpanelDavid Truesdale posted the audio of the “State of Short Fiction” panel. I recommend everyone go listen to it, it’s fascinating.

(@http://www.tangentonline.com//images/audio/radio/dt_panel.mp3)

Listening to it after the fact, I feel like this was blown way out of proportion when it was relayed to me. Yes, he did start off with “special snowflakes are too easily offended” and “you should just clutch your pearls.” So, right off the bat, he alienated his audience by insulting them. Very bad move dude, you suck at dialog. But overall, he was not bad. Not threatening, not shouting or even ranting. He was putting forward a crappy argument laced with some insults. Seriously, that is not a big deal. I suspect that when the convention decided to expel him it was entirely based on the reports of others, rather than on direct knowledge. If they had been there (or heard this audio) they probably would have let him stay.

He did start off by throwing the panel a fair bit off course, which is the opposite of what a moderator is supposed to do. But that’s a venial sin. More importantly, he ambushed his panelists with a charged political topic that they were not prepared for (in both the “research for it” and “psychologically prepare for a charged topic” sense). That is a HUGE dick move. When I held my DCC panel on Cultural Appropriation, everyone knew exactly what they were getting into, and agreed to it beforehand. I am not at all surprised that his panelists were angry.

On the plus side, he did have a few points. Gordon affirmed that yes, he did in fact frequently receive complaints that his covers didn’t show a 50/50 male/female split. Sheila stated that only 25-30% of her submissions are from women authors. A couple panelists did say that they felt authors nowadays are less willing to take risks. Sheila relayed her recent trepidation about publishing an alt-history story where JFK lives, because she had gotten angry letters about people saying that publishing any story containing people still living was disrespectful and/or traumatizing to those people or their families (in response to an alt-history piece she’d published re Apollo 13 not long ago).

And for the most part David was calm, willing to listen and dialog, and aside from his idiotic opening insults, pretty respectful.

The only really awful part of the panel was the audience member who stood up and started shouting at the other panelists. That guy was aggressive and pissed. He sounded very much like the asshole who got enraged at the Sunday WSFS meeting. That was probably where all the fear and tension in the room came from, and since it was right at the very beginning, it’s probably stayed overlaying the room like a blanket the whole panel. I totally blame that guy from David’s expulsion.

I’m glad David recorded this, so we can all hear it. For the most part he reveals himself to be an out-of-touch curmudgeon, who may have a good point or two, but has no idea how to articulate it, and who has overreacted by retreating into bitterness. Simply letting him speak reveals his weaknesses, and putting him in a dialog with someone as smart as Sheila Williams is all that’s needed. He did not need to be expelled. He hangs himself with his own words, and Sheila gets to shine. She provided strong rebuttal and counter-argument, especially for someone put on the spot like that! She’s going to have a lot more fans after this, and deserves it. If Asimov’s wants to boost her brand, they have no better tool to do so than this recording, they should do their best to see it distributed far and wide. :)

Good panel, wish I had gone.

Aug 232016
 

IMG_20160817I started by saying that this backpack contains the entirety of my luggage! Flying only cost me $140 round-trip for that (literally cheaper than driving), and I was pretty proud. Then I remembered I cheated, and sent my Award Ceremonies Suit with a friend who was driving. So less proud now. :/ But from what I learned this year, I can say that I’ll be able to travel next time with just a single backpack for luggage without cheating!
IMG_20IMG_20160820I met Robin Hanson and Eliezer Yudkowsky in the flesh. And I got to have dinner with both of them!! It was fantastic! I would have liked to spend more time with both, but there was soooo much to do. Hopefully more next time. Eliezer was disappointed with the expertise level of some of the panels, which I feel is partly my fault, I should have warned him. This is a conference for SF writers and readers. Sometimes the con will get lucky and get a field-expert who is also a fan, and they are put on a panel. But in general the best you can ask for in technical subjects is a panel that’s up to date with the laity. A panel on AI will NOT address any actual leading research. It will maybe address how audiences consume and understand AI stories, and/or how authors can write compelling AI stories that don’t break suspension of disbelief.

It was fun trying to explain the appeal of Lovecraftian fiction to Robin. “It’s the horror of realizing you are a helpless inconsequential speck in a vast uncaring universe and your existence is meaningless? But that’s just regular life, all the time, for everyone.” Yes, but that’s what compartmentalization is for. :) As Eliezer said “Robin Hanson is far too psychologically healthy to ever be scared by existential horror.” Having met him, I totally agree. He is the friendliest person to serve as an inspiration for Quirinus Quirrell that I could imagine.

Eliezer also corrected my pronunciation of his name (after which the world’s biggest D’OH!!!! was uttered), and observed that this cons focus is primarily about reverence and admiration, rather than pursuing a goal or disseminating information. This is a good point, but I didn’t realize that anything else was expected. It’s literally a convention of huge SF fans, that cap off their con with a giant ceremony to give the people they most admire a fancy statue for being so damn cool. :) I had a great time playing my part in the prestige/admiration economy.

AdaPhoto1000Speaking of admiration!! I got to meet Ada Palmer!! The day before flying out to WorldCon I had just gotten to the mid-book reveal in her “Too Like The Lightning”, so I had to come up to her after a panel and rave about that. We talked for a bit, and she had to go, but she invited me to her Kaffeklatch on Saturday. I went and got to spend an hour in conversation with her, a lot of it about her book, and it was glorious! She is whip-smart and incredibly nice, and it was in the Top 3 Moments of WorldCon for me. I’m so glad I went, I really hope to talk with her more over time. The sheer depth and flavor of her ideas is intoxicating. And she has a sultry voice. :) Like an idiot I forgot to take a pic, so here’s a stock photo instead. More on her book in a few days!

In Don’t Do What Donnie Don’t Does news… I made an ass of myself briefly. For the past four years I’ve regretted not saying anything to GRRM when I shared an elevator with him at the Chicago WorldCon. It was just him and me in an otherwise empty elevator, and I froze up and didn’t say or do anything. It would’ve been a perfect time to get a pic or something. So this time when I saw him I rushed over and asked if I could get a selfie with him. He said he was in a hurry to get to his panel, and was pretty grumbly about it, but he did let me snap a pic. But I realized immediately that he was not happy, and I should have backed off, and I didn’t, and I’m an asshole. I am not posting that pic, because I don’t deserve to have a pic with him that was taken via ambush. I avoided him the rest of the con, and I desperately hope that he’ll forget me over the next two years. I’m sure he will. Right? :(

IMG_20818I’m worried because (prepare for mood whiplash) I went to a panel with Sheila Williams, editor of Asimov’s. Afterwards I approached her to thank her for publishing an unknown first-timer like me, especially given what she said about disappointing endings in the panel. AND SHE REMEMBERED ME BY SIGHT!! Like, WTF?? I’ve exchanged maybe three emails with her, two years ago! The best she could have done is seen that tiny little profile pic that comes with gmail. She was all “Well I only publish maybe 60 or 70 people per year, of course I remember my authors!” but man… holy crap! I was blown away. Better yet, she invited me to the Asimov’s/Analog party happening the next day! I got to meet all sorts of fascinating people there, including the author of Today I Am Paul (which would’ve been a nominee if not for the Puppies). It was a fantastic experience!

0160819A plush Frodo & Sam waiting for rescue in the dealer’s room, just cuz.

Me and some friends at the award ceremony

I’ve posted before about my habit of con-spousing. Pretty much any con I go to, I tend to form a quick bond with someone and spend a lot of my free time/meals with them. It was interesting, this year I didn’t have a dedicated con spouse. The closest was Vivian (on my left, red dress), who I spent quite a bit of time with, both at parties and meals, especially in the last two days. She’s a friend from Colorado. :) I spent quite a bit of time with Laynie as well (on my right), who is sweet; and driven as hell, as every millennial I’ve met has been. I also spent a fair bit of time with Beth (not pictured, because again, I’m an idiot), who sadly kept having to do volunteer work so we didn’t get to hang out as much, but who has extremely similar taste as me in books (Grimdark 4evah!!) and gave me some fantastic recommendations, which I will attempt to inflict upon my book club! All in all, this was perhaps less emotionally satisfying as really bonding with a single person for 2-4 days, but I did get a wider variety of people met, so I don’t regret it either.

I also caught up with people I’ve met at previous cons (such as S.B. Divya and Seth Dickinson). Give me a few years, and soon I’ll be spending much of my con doing only that. :) It’s kinda nice, especially when you get to chatting late into the night and many of the barriers come down. (Tomorrow, notes on how exhausting it is to be Play Acting several days straight. Letting the mask slip late Saturday night with Seth and Vivian is another of my Top 3 Moments. So refreshing.) And when I needed a soul-recharge I could always count on Nikki, a very dear friend from Colorado, to sit with me for fifteen or twenty minutes and just friend out (which is like Bro-ing out, except without the Bro aspect). Many <3s Nikki!

IMG_20160
I got to meet Ferret, and he’s absolutely as cool in real life as he is on his blog! I should have bought this man a drink!

IMG2082

IMG0821And, finally I got hang around with Pat Cadigan (closest to camera) for maybe a half hour, after the Hugo Award Ceremonies (she was the MC). CyberPunk is my Home Genre. It is what I read as I was coming of age, and it’s a core fixture of my psyche. To get to meet one of its god-parents was gratifying. :)

I already mentioned the Award Ceremony and the next day’s Business Meeting in yesterday’s post, so I won’t repeat those.

One major difference between this year’s post and last year’s post – no pics of the venue itself. Sasquan was absolutely gorgeous, even with the fires of Mordor at our doorstep. I fell in love, and I could move there. MidAmericaCon was nice enough… it was functional, and served its purpose. But there was no structural or natural beauty here. I won’t remember any visuals. This actually makes me feel really inadequate about the Denver Convention Center (in which we hold Denver Comic Con every year), because I think it’s the same thing. A large, uninteresting building, built for efficiency of convention-going. It looks like a giant office. There is nothing beautiful about it, or the immediately surrounding area. I hope San Jose is gorgeous! And I’m kinda sorta maybe considering going to Helsinki… maybe.

I had a great time!

Aug 222016
 
This year's Hugo winners

This year’s Hugo winners

All the Puppy News That’s Fit to Print!

I’ve been gone since Wednesday, at WorldCon (woo woo!). I’ll start with the Hugo Awards, since that’s the big thing everyone cares about. They were AWESOME. Pat Cadigan was entertaining as hell, everyone loved her. Last year was high drama due to all the Puppy Poo, so the emotional imprint of this year’s awards wasn’t as high. But on the other hand, it was nice to have a mostly-normal awards ceremony again, which focused primarily on the artists and the joy of the awarding. There were a couple No Awardings again, and Neil Gaiman delivered an EPIC smack-down to the puppies, but it wasn’t the focus of the ceremony.

The Puppies were again shown to be impotent during the event. This night was literally the optimal-case scenario for the regular fan community, I don’t think a single result could have gone better. Vox’s strategy of slating “human shields” absolutely backfired, almost as much as the Tingle slating, it was glorious to behold.

ha ha

WorldCon Community to Vox Day

I checked Vox’s blog the morning after, out of curiosity, and he of course was crowing about his great victory. I guess if you define victory as “We fucked up the nominations”, then yes. But I got the impression he was trying to say the victory extended into the awards as well? Man, good luck to him spinning that one. The community showed once again that a small tantrum-throwing minority can game the nominations, but they speak for no one else. He is, as Scalzi said, the wad of chewed gum stuck on history’s shoe.

I heard from someone who couldn’t attend that the livestream of the event was a clusterfuck. While we were having a grand time in the auditorium, free of Puppies, they were showing their colors online as trolls. Our friend stopped streaming after a while, because the chat was such a frothing ragestorm. WorldCon would be well served to switch to a streaming company that pays a moderator or two to watch the channel.

Speaking of throwing a tantrum, there wasn’t NO Puppies activity this year. You’ve probably already heard of the State of Short Fiction panel kerfuffle (wherein Puppy-sympathizer David Truesdale, who was supposed to be moderating the panel, instead launched into a rant about SJWs ruining SF and hijacked the entire hour with shenanigans).  It was one of two panels going at the same time that I was torn between attending, and I ended up going to the OTHER one, since I’d been to a short-fiction panel the day before. I chose poorly. :( I missed out on the most-talked about event of the con. It was a fantastic conversation piece, even better than Tingle-talk. This was a great year for chatting with people you don’t know well! :)

While not widely reported (since everyone pretty much focuses on Truesdale’s cock-up and expulsion), there was a large guy in the audience who stood up at one point to berate of the panelists for turning his back on Truesdale during his rant, and shout about the panelists “lack of respect.” (reportedly “It’s people like you that are the problem!” or similar) A member of my Colorado writer’s group (call her “Lady M”) was sitting directly in front of that man, and she was scared she would get hurt. Now yes, I always hate reports of “I was afraid for my safety”, because a person can’t control someone having an irrational fear-reaction of them (happens all the time to young black men). But I felt really bad for my friend, as she’s an incredibly sweet and funny lady in her 50s, and normally a really tough cookie. Feeling scared is a shitty feeling.

Also, I can understand her fear, because I think I ran into the same guy. I attended the WSFS Business Meeting on Sunday, to vote in 3SV and EPH. During the meeting a big dude took the floor out of order, and nearly refused to yield. Though he did return to his seat, he was angry and aggressive for the entire 3SV debate. He had the beefy look of ex-military or ex-cop, and his tone and body language was very much “gearing up for a fight.” I was glad I was one row from the front in case anything happened, but I really did NOT want anything to happen! He was fuming and arguing with officers during the break, and finally stormed out before we came back into session. So no harm done. Guess he just needed to vent and get stuff off his chest. But I can see why even our normally-assertive Lady M was intimidated if it was the same guy at the Short Fiction panel.

Anyway, that’s it for the Puppies this year. With EPH now in effect it’s nearly impossible for them to sweep a category anymore. Given that, I assume they won’t bother to throw down another $40 next year just to be ineffectual again, but who knows? It might be worth it for some people to get their annual rage-fix. If so, 3SV will be ratified next year and we’ll finally be done with their tantrums forever.

Tomorrow, a journal-ish post of my weekend, with pics! Had such a good time!

Me and some friends at the award ceremony

Me and some friends at the award ceremony

Jul 212016
 

300x300xhugo-awards.jpg.pagespeed.ic.AsqaLzncTzMost years we read all the Hugo-nominated short stories and novelettes in our book club, as generally all (or nearly all) of them are available free online. This year, that is not the case. :( (yes, I blame Vox Day). So we were unable to read them as a group. However I still read them myself for voting reasons, and my impressions are below.

This is the last of the Hugo works I’ll be reviewing. If you have a Hugo membership and you haven’t voted yet, you should do so very soon, there’s less than two weeks left! And they warn that their serves often get hammered on the last day.

 

Best Novelette

And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb 2015)

I don’t really understand the love for this piece. It’s cyberpunk, and I grew up in cyberpunk. It is my home genre, I love everything about it. But “You Shall Know Her” doesn’t do anything new. This story has been covered a dozen times, from Ghost In The Shell to the starter adventure given in the CyberPunk 2020 Rulebook!

Nor does it fit quite right. It feels a little off, like someone trying to emulate a style that doesn’t come naturally to them, and they can’t exactly pull it off. It goes over the top in an attempt to imitate a form, and ends up feeling like a good B-movie. Those can be tons of fun, but they aren’t really award winning.

 

“Flashpoint: Titan” by CHEAH Kai Wai (There Will Be War Volume X, Castalia House)

This is a perfect example of “making the action scenes boring”, and it’s nothing but actions scenes. We see a bunch of stuff blowing up, but we don’t care who wins, because we were never given a reason to. There aren’t any characters or stakes we care about. And even the fights are yawn-inducing, because it’s a bunch of technobabble that doesn’t mean anything without a world built up around it to give it context.

 

Folding Beijing” by Hao Jingfang, trans. Ken Liu (Uncanny Magazine, Jan-Feb 2015)

In this story, the Chinese government found a way to double (or triple?) the population density of Beijing by folding it up. This lets a lot more people live there, but in exchange they have to sleep a lot more. Instead of losing 1/3rd of your life to sleep, you have to lose (depending on how rich you are) either 1/2, 2/3rds, or 5/6ths. However this is apparently still a good deal, because millions of people jump at the chance, and compete for the opportunity.

This story also got a lot of positive attention, and I’m even MORE confused as to why. It’s an interesting premise, but it certainly isn’t ground-breaking. It’s message is dirt-simple: being poor sucks. Um, ok. Can you say something more about that? Or just make us feel it?

Because, worst of all, this story is poorly written. I’m just gonna come right out and say it. I don’t care if it’s a translation issue or a cultural variance or something. By every standard that I apply to prose, this is just plain bad writing. It is flat and emotionless. It tells rather than shows. It paints in broad, flat sweeps, rather than poignant details. The sentence structure is clunky. The POV jumps around at random, sometimes even within paragraphs. Even if this was an AMAZING new concept with message that made you go “Ohhhhhh… shit!!!” those would still be extreme sins. They’d have to be truly fantastic to make up for prose this crappy. But it doesn’t have any of those. It’s just plain “meh” in all respects, and crappy in writing. Heck, this is on the same level as last year’s “On A Spiritual Plain”. I have no idea how this made it on any award lists.

 

“Obits” by Stephen King (The Bazaar of Bad Dreams, Scribner)

Steven King takes the premise of Death Note, but doesn’t do anything with it. I suspect this is one of those nominations given out because when the author published his truly fantastic genre-defining work(s), he was somehow overlooked, and this is to make up for that. Fair enough, I guess? I see those sorts of nominations every now and then. Still, it feels like a disservice to whoever should have been in this slot instead.

It did get me to wondering how old this idea is. Obviously Death Note is the work that took the idea to its fullest/best exploration. But the concept of “being able to anonymously kill anyone in the world, instantly and unstoppably, without being a trace” has got to go a looooong way back, right? I bet there’s ancient myths using this idea.

 

“What Price Humanity?” by David VanDyke (There Will Be War Volume X, Castalia House)

This one was actually pretty decent! It has the same basic premise as Vinge’s “The Cookie Monster,” but applied to a military setting.

As far as re-using mindwiped soldiers goes, this was done better in “The Immaculate Conception of Private Ritter,” but that’s a high bar to clear, not everyone can be Seth Dickinson. It did pretty well for itself.

All in all, I enjoyed myself. It did seem to try to force some angst in the end in a way that was completely unwarranted (“Isn’t it terrible that these people get to relive the most awesome two weeks of their lives endlessly, all just so they can save the human race?”). But, eh, I can let that slide.

 

In the end, I don’t think a single one of the Novelettes is actually award-worthy. VanDyke came closest, and I can see him making the grade fairly some day! :)

 

Best Short Story 

“Asymmetrical Warfare” by S. R. Algernon (Nature, Mar 2015)

Cute, and fun! Not award-material, but it’s clever. :)

 

Cat Pictures Please” by Naomi Kritzer (Clarkesworld, January 2015)

Also cute, and also fun! This story has some neat ideas, and explores them in a fun way! I don’t really know comedy, so I don’t know if it’s good. But the writing is well done, and it’s certainly the best of this year’s lot. In a normal year this would probably be near the bottom of my list, and I am saddened that I can’t see the stories it would have legitimately competed against. That being said, at least there’s something worth voting for in Short Story this year!

 

“If You Were an Award, My Love” by Juan Tabo and S. Harris (voxday.blogspot.com, Jun 2015)

This is not a short story, it’s a shit someone took on the internet, which Vox has splattered on the Hugo list to show his disdain. Disdain of the same award he’s trying so hard to win. Oh Vox.

 

“Seven Kill Tiger” by Charles Shao (There Will Be War Volume X, Castalia House)

Hm. There’s… not really much story here? It’s basically “all humans are horrible, awful people, and we’d be better without them.” It’s literally just barbarity upon genocide upon cowardice. This is the sort of gloomfic that normally stays in high school notebooks. I really like grimdark, but this wasn’t even grimdark. It would do very nicely as the prologue of a post-apocalyptic novel, but it doesn’t work as a story in itself. The only good part is when it quotes a 400 year old poem, and you’re really better off just reading that poem instead.

 

Space Raptor Butt Invasion by Chuck Tingle (Amazon Digital Services)

I loved it. See my previous comments here. :)

 

Don’t forget to vote!