Nine Princes in Amber, by Roger Zelazny
Synopsis: An amnesiac in the modern world slowly comes to discover he’s a demi-god of a fantasy world.
Book Review: I guess that synopsis is a bit of a spoiler, but not much of one, because it’s basically the same thing that’s on the back-cover blurb of most editions, and the cover art kinda gives this away too. At any rate, it’s something the reader discovers pretty early in the book. And that’s much of the problem with this novel.
For me, the interesting part of this story is Corwin trying to figure out what’s happening and who he is, all while hiding that he doesn’t know these things from the people around him. He has a (correct) suspicion that if they knew, he’d be in great danger. Watching this delicate subterfuge is pretty damn delightful, even if it’s a bit incredible in places, and helped along by his primary adversary being dim-witted and slow. The sense of danger, where every word could be a misstep that gives everything away and he won’t know it until it’s too late, makes for very engaging reading!
Unfortunately it ends pretty quickly. We have a few chapters of that, and then the whole novel reverts to pretty standard fantasy tropes. As a super-powerful magic user and claimant to a recently-vacated throne, Corwin marshals allies, has battles, gets in sword fights, feuds with his brothers, blah blah blah. There’s never a sense of danger again.
Worse, there’s no stakes. Corwin wants the throne, but I don’t care. He’s kinda an asshole. He leads tens of thousands of people into death for no good reason and without any care for their lives. We have no reason to think anything would be better or worse with one of his brothers on the throne, they all just want it because they feel entitled to it.
It’s odd, I first read this book about ten years ago. Either my standards have gone up (possible!), or this book is much better when you don’t know what’s coming next. The lack of knowledge Corwin has focuses the reader’s attention on the unraveling of the mystery, and distracts from all the glaring flaws of this thing. When you already know the mystery’s answer and can focus on things like character and plot, you realize how shabby they are.
I would hesitate to steer people away from this, based on my memories of really enjoying it the first time through. But as luck would have it, I was also rereading Too Like The Lightning (in preparation for my much-delayed first read of Seven Surrenders) as I read Nine Princes. In a way, this review is very much a story of two re-readings. Nine Princes crumbled upon the closer inspection of a reread. Too Like The Lightning only shined ever brighter, as the removal of the work needed to grasp the world-building really lets one focus on the characters and story and find greater depths and delights within them! Having a really good work to compare Nine Princes to lets me say with far less reservation – Not Recommended.
Book Club Review: It’s OK. There’s some conversational material here for discussing how the genre has changed over the decades. At the time, this book was a runaway hit, and series were a new thing. We had enough stuff to talk about that it was a successful evening. However, there’s so much good stuff out there, and so little time to read all of it, that it seems like a waste to focus on things that are merely OK. Unless your book club is looking for a discussion about the evolution of popular fantasy in the US (and someone’s ready without further outside research as well) – Not Recommended.
Personal Note: I’m way behind. We’ve read another book since that, which I’ll hopefully get out next week, along with some other misc posts. My office is short-staffed at my day job, I’ve resumed production on the Methods of Rationality podcast, I’ve bought a townhome that requires major renovations, and basically I’m out of time-slack. I’m finally chiseling some out on my lunch breaks (which I can take again!), so hopefully there’ll start to be content around this place again soon. ^^